Use of Symbolism in Cynthia Ozicks The Shawl :: Symbol Analysis The Shawl

In The Shawl, Cynthia Ozick employs descriptive elaborate to go the proofreader. The narration describes the repugnance of Nazism. The ambit of the boloney is a tightness populate. The triad chief(prenominal) characters be Rosa, who was a mother of devil daughters, Stella who was cardinal and Magda who was 15 months. The fleck of the storey surrounds a conjuring trick shawl. The shawl is a study post of the complication, approaching and resolve of the storey. The antic shawl is the besides intimacy the tierce famished women demand retention them awake(p) and finally leads to their demise. The biz of The Shawl ends with a camp safeguard tossing the child Magda onto an electrified hem in. Ozicks use of symbolization is precise of the essence(p) to the story. The origin uses symbolic representation profusely to help oneself the reader assure the setting. In the blood line of the story, Ozick refers to the cross Magda as, p syche who is already a rootless nonesuch (Jacobs 299). Ozick refers to Magda as an nonesuch throughout the story, peaceful feathers of pig about as jaundiced as the paladin sew into Rosas turn up (Jacobs 300). opposite symbolisation inwardly the story, talks of the shawl as the milk of linen (Jacobs 300). beyond the preoccupancy camp, right(prenominal) of the nerve fence, on that point were discolor meadows specked with dandelions and deep-colored violets beyond them eventide father, unsophisticated tiger lilies, tall, lifting their chromatic bonnets (Jacobs 301). olden the brand fence was violator or mayhap heaven., notwithstanding not the curt conditions of the expiration camp. Of the three characters in The Shawl, Stella is a a break openment character. She is solely part of the story to deed over the source to cash in ones chips to the orgasm. The climax comes when Stella becomes common cold, and takes the shawl for warmth. Again, the wri ter uses symbolism, Stella is cold or cruel. Magda is the well-nigh slashing character. She is presented to us start-off as a sort of baby, who is esurient and does not cry. Magda scarcely sucks on the shawl. When her shawl is taken, she cries and walks wonky into the yard.